Friday 29 September 2017

TV News: Things We Still Need To Do

TV News: Things We Still Need To Do

  • Discuss Brand details
  • Confirm target audience
  • Finalize at least a basic shoot scheduled
  • Double check with contacts, and arrange a possible back up plan 
  • Narrow down locations out of the ones we have scouted
  • Think about the order of our piece
  • NOT KILL EACH OTHER!!!

TV News: A Brief History Of Electric Cars

TV News: A Brief History Of Electric Cars

As part of my ongoing research for this project I have put together a small timeline detailing the history and development of electric cars. This will help us be as informed as possible when it comes to collating a report on the subject. 

Image result for early electric cars

1830's
Electric cars have actually been around for a lot longer than we think. They were a working concept in the early 1830's. However it is difficult to attribute the actual invention to one person alone.

Anyos Jedlik, Thomas Davenport, and Professor Sibrandus Stratingh are all thought to have been major contributors to the concept. 

The first fully independent electric car was built by a man named Robert Davison in 1837. It was built by using very large and primitive batteries to motorize an existing frame. 

Although it could carry six tones of weight, it could only move at around 4MPH and had a range less than two miles. This combined with its constant demand for new batteries (since they weren't rechargeable) meant it was highly impractical and never saw efficient use.

Image result for early batteriesImage result for early batteries

1859
This year saw the invention of the first acid based re-chargeable battery. Something that would become key in the development of electric cars. However there was little interest in this area at the time. So no major developments were made in electric cars for some time.

1882
Around this time the Elwell-Parker Company took control of the electric car industry. Later merging with a rival company, together over the next few years they produced a large number of small electric trams, that were mainly used in cities and mines since they didn't use up oxygen or produce toxic emissions. They had the monopoly on this market until the early 1990's.

1890's
Towards the end of the 19th century small electric vehicles began to pick up in popularity. Small battery powered taxis began to pop up in places like London and New York, nicknamed "humming birds" after the noise the motor made.

This next development in electric vehicles came from the USA. When an American inventor put together a practical electric car capable of carrying up to 6 people. Although a major development America didn't fully shift their attention to electric vehicles until around 1995.

1911
The first hybrid car was developed in Chicago.

Electric car popularity continued to grow, especially in America, thanks to the implementation of fast and widely available battery change services, as well as the majority of homes being wired in to mains electricity (allowing for charging at home).

In 1912 one report stated that 40 percent of American automobiles were powered by steam, 38 percent by electricity, and 22 percent by gasoline.

1920's
After the turn of the century and the beginning of the 1920's the "hey day" of the electric car industry began to dissolve and the popularity of electric vehicles declined as they were replaced by more efficient petrol models. However it was around this time that electric milk floats began to pop up all over Britain. 

Image result for milk float
1950's
By this time the only remnants of the electric car age were the British milk floats, and the newly released golf carts. Major developments in this industry basically stopped for some time.

Image result for golf cart

1960's
Development of electric vehicles continued over in the USA, but on a much smaller scale, America's big three car manufacturers all had electric car divisions but they were mostly there just for "tinkering" with new forms of batteries such as nickle, lithium etc.

1969
The next development in electric cars came from NASSA with it's very own fully electric lunar rovers.

Image result for lunar rover
1990's
In this period clean air and environmental organisations such as the California Air Resources Board began to raise environmental concerns about the impact of petrol car emissions. This led to a slightly revived interest towards the industry.

2000's
In the early 2000's manufacturers like Toyota developed a small number of electric cars, however these were never put on sale to the general public and were only available to rent for a small period of time before they abandoned the idea.


As a result of these big manufacturers abandoning the concept, small companies like the Reva electric car company, began cropping up in places like India. Dedicated to building micro electric cars (notably the REVA) for 1 or 2 people to use in city commutes.

Sales eventually made it across the pond to the UK, but the problem was these cars had a very low range/mileage capability.

Pike Research estimated there were almost 479,000 of these types of cars on the world roads in 2011. Many of them were in use in china but there popularity decreased due to safety concerns. 

Image result for renault twizy

Tesla were one of the first manufacturers to offer something practical to the public. However they began development of their first "road ready" car in 2004 but took until 2008 to finally release the Tesla "roadster".

But this did help pave the way for modern electric cars, especially as they were proving more practical and environmental concerns were growing.

A number of other manufacturers followed suite in the years to come, with companies like Nissan, Citoren etc. all developing their own practical electric models between 2009 and 2011.

Image result for tesla roadster

2012
This year saw the biggest rise in public charging stations which only helped the sale and promotion of electric cars.

Image result for electric car charging stationsImage result for electric car charging stations

2008-Tesla roadster 2010- Nissan leaf 2015-Renault Twizy/Zoe
Image result for nissan leaf

Since then electric car sales have only continued to grow and the government hope they can fully replace petrol somewhere between 2030 and 2050.

TV News: Workshop

TV News: Workshop

Yesterday saw one of our TVP workshops, where we had the opportunity to practice and hone our news presenting skills, as well as work with a variety of new equipment. 

The first activity involved using the script that we put together the other day. I volunteered to read out the "live" aspect of the script. I had to read from the script as if I was in the location (in this case Gatwick station) presenting to the camera. 

This was a useful experience as I had to practice my sight reading which was a little rusty. While also making sure to be actively engaging to the audience/camera. After a couple of rehearsals I got it pretty smooth. We decided to keep it moving slightly so that there was momentum in the report and the camera could pan across to reveal more of the scene. 

I had a bit of a fiddle with the camera to make sure it was on the correct settings, since we were in the studio the lighting wasn't great so I had to adjust the aperture and ND filters. 

  

In between the first and second half of the workshop, I picked up one of the new shoulder cameras and explored the settings and featured. 

I thought its design might come in handy with on location "live" sections of our unit. 

Image result for sony shoulder camera After my brief practice with the camera i noted a few things. Firstly it had nice zoom and focus capabilities, able to bring out very fine details. It was quite heavy but this was designed to make the shots more stable. It also had several adjustment rings close to hand to help with quick changes in light. Although I didn't get on particularly well with this camera it was a useful experience. 

Part two of the lecture involved us getting hands on with a news room environment. We had a camera, auto-queue and green screen set up that we got to work with. 

Firstly we had to adapt our script to be conveyed by the auto-queue. This was a challenge at first as we had to space it out so that it didn't feel too rushed or slow. However we soon overcame this. 

I positioned myself on camera while Andrew presented and Alex typed. I made sure that the scene was appropriately framed and well lit. Shadows were a bit of an issue and we had to move the lighting to minimize this. 


This exercise was a useful practice for our upcoming project. It helped us see who fitted best with which role. Andrew seemed to struggle with presenting so this is something to bare in mind. In the end we were able to get some good takes which I put together to form a finished project.

The Joys Of After Effects

This was a very enjoyable workshop and had potential to be a great practice for our upcoming project. As such when editing it together I decided it needed spicing up with After Effects. 

So I sat down and began to work on some graphics, lower thirds and ticker bars that you would see on other news broadcasts.
I volunteered to do this since post production is my area of expertise. It required some research but I was able to put the graphics together with mostly my own skills.


Adjacent is an example of a news ticker I put together. I made sure the text displayed was relevant to the story and that it had some vague branding (not our final branding as that has yet to be decided).

I then exported this in to premier and got it to "play nice" with the green screen and other elements. I was able to successfully replace the green screen with another background (it took a little bit of fiddling) and after considering a number of options, settled for a news room background. 

The final project is bellow and I'm pretty happy with it. In future I will do more work on audio and opening graphics. 


Critical Perspectives: Additional Lecture Notes

Critical Perspectives: Additional Lecture Notes

Bellow are additional notes about what to consider when looking at question for both adaptations and journalism.

  • Find out why something was targeted at a certain audience. 
  • What was the motivation of the creator (personal passion project, or made to appeal to mass media).
  • Who's interest does it serve?
  • Who benefits from it being made and does its production support an ideological position?
  • Was it part of a propaganda campaign - pro something? (May be subtle).
  • What meanings are generated by the adaptation/news piece. 
  • What are the social/cultural mechanisms of communication (symbolic/visual/formal/textual/textural/auditory/verbal).
  • What are the connotations and meanings being formed - are these "re-generated" - be intended or not.
  • Context- again consider reviews etc.
  • Undertake readings and explore other peoples theories so you have a rich and well informed case study. 
  • Don't just focus on one subject matter only, mention others!!
  • when writing identify both positives and negatives before forming your opinion, to ensure a balanced view.
What is critical writing?
-A balanced presentation of reasons why the conclusions of other writers may be accepted or may need to be treated with caution. 

-You need to fabricate an argument based on your findings, not just describe what you have found, form an opinion and discuss why it is so.

Referencing
Using/referencing other people's words/work is fine so long as you are either, quoting, paraphrasing or summarizing, and you correctly site it.



Critical Perspectives-Introduction

Critical Perspectives: Introduction

Today we were introduces to our new unit that we would be studying along side our current work.

Unit Aim
To promote deeper critical understanding of audio visual output.

Topic Choices
1. Discuss critically and analyse the view that with successful adaptation the original work is "translated in to something new and different while still retaining traces of the past". 
With reference to at least one text.

2. Analyse the implications of online journalism and the extent to which "we are all journalists now" making reference to both traditional forms of broadcast journalism and citizen journalism. 


Activity: Discuss in pairs what is the question asking you to consider?
What television broadcasts could you consider referencing as case studies? 
How viable is this as a choice?
What are the challenges in answering this option and using your chosen case study? 

(Answers on a separate Blog Post)

Fiction
If looking at fiction, the subject matter you choose should have originally been adapted from text. When looking for references about how it was received there are several sources you could look at e.g. BARB stats, Rotten tomatoes, Broadcast Magazine etc.

How has it changed over it's adaptation, did the target audience change, did key plot points change, did the messages/values change?

Casting can effect how we perceive an adaptation, depending on actors abilities, chemistry, and background. 

When considering this option, make sure that there are enough adaptations to work from, since some may have been changed for censorship or other reasons.

Journalism
When considering journalism you have to carefully consider what actually counts as citizen journalism. 



Thursday 28 September 2017

TV News: Project Update 28/09/17

TV News: Project Update 28/09/17

Location Scouting 2.0- Yesterday we went to scout some further locations that we could use as contrast to the high tech story. We considered how safe they were, if the car could get access easily, and where we could position the camera. The roads we looked at today worked better as it had fenced off path ways beside the road that the camera could safely be positioned behind. 

Bellow are some images of the locations.




Once again we also considered places that a reporter could possibly stand and present from depending on weather we go for a studio look or rural.

We also went to visit the Smart dealership in Maidstone. We had been having discussions via email about borrowing an electric car and they seemed quite enthusiastic. However we decided to go in person to help clarify the purity of our intentions. It also helped us to get a look at the electric models they had and we could get a small amount of research from that.

We also visited a couple of other dealerships in person but they seemed unwilling to help and shut us down before we could even explain our idea. This was quite rude and they were far more polite over the phone, I guess this just goes to show that sometimes you can't know everything unless you go in person.

Nissan said maybe, if we emailed their head office which either myself or Alex will do.

Smart seemed quite enthusiastic about our idea and said they would get back to us within the next couple of days. I hope they pull through as shoot week is drawing nearer and changing plans now could prove difficult.

Bellow are some relevant images from the electric car dealerships that we can use for research. 

Wednesday 27 September 2017

TV News: Project Update 27/09/17

TV News: Project Update 27/09/17

Things are going at a steady pace, I have been in contact further with my expert and they have agreed to an interview, we just need to work out exact dates. Alex is currently in negotiation with an electric car manufacturer but we are beginning to put together a rough shoot schedule.

After scouting out potential locations the other day I have been in contact with the Kent Film Office to obtain the relevant paperwork and permissions to film in the area. We still have some other locations to check out though. 

We have also booked out a camera already so that we can get a chance to practice before the shoot (since I didn't get much of a chance in the workshop).

The next steps would be to compile some facts and information so that we are fully clued up before our interview. I also intend to find out more about my interviewees knowledge and background so that I can prepare appropriate questions.

Note-Andrews commitment and input has improved after we spoke to him in person but I still have my concerns. 

TV News: Activity

TV News: Activity
Yesterday Helen set us a practice news task. Each group was given a topic and a small pack of information on that topic/story. We were then tasked to produce a small air time script that pieced together a 2 minuet story based off of that information. 

We all met via Skype and began to go through the document pulling out key points from the document we could use. We knew from Helen's lecture that points had to be summarized and supported by fact but not drowned in them.

To help with this I researched and contextualized some facts that we could use and suggested some rephrasing. However it didn't feel like the others were willing to listen, yet they didn't have many better ideas. 

Some of the links I looked at are bellow:



We then began to type up a script using the facts we had pulled. We dedicated one column to what would be seen on screen and another to dialogue. I oversaw and contributed to the resulting script which looks quite successful, it is pictured bellow and will be read out on Thursday (we checked that it fits within the time limit).

 

Tuesday 26 September 2017

TV News: Location Scouting

TV News: Location Scouting

Today our group set out around the Maidstone area to scout out some possible scenic filming locations for our project.

Andrew had bookmarked some potential locations on google which we st out to investigate. They were mostly country roads or rural settings with some land mass, a bridge or some other significant structure. This is because we want to create contrast between the flashy new electric car and the old/historic British countryside. It will also give our potential viewers/audience a chance to see how the car fairs in these types of environment. 

Bellow are a few images of the locations we scouted.












While on location we had to consider a number of factors, such as where we could potentially position cameras. The level of access we would need (are we on public or private land), which is the best angle to shoot from.

What are some alternative shots we could get, is there enough room for the car, if so is it possible to safely follow its movement with a camera.

Could this location have multiple uses, for example could we place a reporter here and film an introduction or a report. 

All of these factors were very useful to envision and lets us get a head start before filming. We made a note of each suitable location and overall this day was a productive use of our time and will contribute positively to the overall project. 



TV News: 3rd Lecture

TV News: 3rd Lecture

In today's lecture we were discussing, what makes good writing?

One good rule to follow when writing commentary is, try to keep it in the present. Use present tense to describe exactly what is happening at the time, not what did happen.

Write, read and then re write, if you feel a change needs to be made, it is likely that the change is a simplification. Don't simplify your idea, but simplify the language used to appeal to more people.

Avoid using terms that you don't fully understand. You may no the associated meaning but not the literal meaning e.g. decimated. 

Don't overcompensate and over describe, describing things that you can clearly see on screen is a sign of bad writing. 

Image result for script writing

A good acronym to think about when writing is:

Precise -make sure dialogue is written clear, accurate and concise.
Accurate  - check your facts, how recent is the data you are using?
Germane - are all facts necessary and relevant?, know your story.
Equitable - ensure your view is balanced, view things objectively. 
Flow - walk the viewer through the story, have a linking structure.

Identify key questions early on, what needs to be asked and how will we find out.

Be: attention grabbing, creative, well informed, etc.

Don't weigh down your leads to much with facts, in the full report you can go in to detail but keep the initial description brief to draw people in.

Can you fit all your thoughts in? If not only include the most important so that you have the chance to go in to detail if you need. But don't drown out the personal touch. Make sure the audience can care and relate. 

Keep it focused, write about what people are doing, their actions first, then who/what they target, then finally what the effects were.

Write to pictures, but don't be too literal, avoid repeating yourself, have the pictures/words compliment/bounce off each other.

Write in an appropriate tone for the content it is discussing. Make sure to read bits allowed to make sure they sound right and if possible work with the narrator no ensure they pronounce everything correctly. 

Image result for news reporter

Scripting A News Package
Write it in advance and be prepared to adapt it as facts change/update.

Have an opening statement for the report prepared that can grab attention and summaries the story subject briefly. This can be an open ended question.

Give your reporter a purpose, they should be active not just an on looker. 

Ensure your story is in chronological order, if possible have a central character that the audience can relate to. 

Write conversationally and have an active voice. 


25 Word Pitch

25 Word Pitch

For our project briefing we had to come up with a 25 word pitch that introduces our idea. Alex came up with the following.

"We rely on transport, it runs our economy. But is it damaging the environment. Is the future greener, and better for our world?"

Monday 25 September 2017

TV News: Project Update (Contacts)

TV News: Project Update (Contacts)

Image result for good news everyone

Today Alex heard back form a car dealership we contacted previously, who will potentially be letting us test drive one of their electric models for our project.

If all goes to plan this will be great as we can really give our viewers a hands on visual demonstration of an electric car and its potential benefits. It will keep viewer interest and draw attention which is exactly what news should do. This will hopefully form our package. 

Tomorrow we will get in touch with their marketing team to double check our plans, then we will put together a rough shoot schedule.

I have also been in contact with an electric car expert. He owns one himself and has a lot of connections in the industry. I've emailed him today asking him to be one of our interviewees (which could hopefully form the live segment of our broadcast), he would be interesting to our audience since they could resonate with him, and hopefully he can give us the inside scoop on what electric cars are really like, how they work etc.

The next step would be to hopefully allocate time for this on the shoot schedule. Then research in to some actual facts and statistics that we can provide to our audience alongside any interviews.

I will keep the details of other contacts close at hand as a backup.