Wednesday, 18 October 2017

TV News: Edit Diary Day 3

TV News: Edit Diary Day 3

Today was the third and one of the most productive edit days. I went to the studios nice and early to get a head start ready for our rough cut viewing on Thursday. 



Alex came in as well today to help give a fresh glance at the project. And I'm very happy to say that today he was incredibly respectful of the space I needed to edit. He was kind enough to let me work alone for an hour or so to get a head start before he came in to watch. And when he did watch what I had produced we were able to have a proper discussion about what needed to be changed. We didn't see eye to eye on everything but he learned to respect me as an editor and was respectful of my decisions and let me have final say on a lot of things, for which I am incredibly grateful. I felt like I was really being listened to and as lead editor I'm making a valuable contribution to the team. 

I had been working on a split screen "live" effect which took a lot of time and effort to make. At first Alex wasn't keen on it but through reasonable discussion we were able to tweek it to reach a happy compromise/middle ground.



Today was very productive. We were able to complete a lot of things on the edit list. Alex helped by finding some press release footage from Tesla while I synced up all the audio from the Panasonic, with the go-pro footage.

Alex also wrote a list of some "pick up" shots that we needed (mostly interior shots of his car). As well as writing out the voice over that we will need to record for the second half of the package (we need to do this soon in my opinion so we have a clearer idea of how long our project will be).


We made a few alterations to the package to make it more effective, and layed all the foundations for the second part. 
At this point in the day I really got "in the zone" I was fully concentrating on getting all the shots for our "Live" in and having them fit together. It was here Alex picked up that I was "in my element" and knew it was best to leave me to it rather than interrupt my flow. He went home to work on the voice over script and give me some space to work (which I was incredibly grateful for).

By the end of the day I had finished placing all the clips and syncing the audio for our "live" interview. Before Alex left i made sure to ask if there were any specific angles he wanted to showcase in this section, and I did my best to fulfill his requests. This meant that we had a rough cut ready for tomorrow. I will make sure to show the group in the morning as I want their opinions on a few shots before showing Helen. 

When i went home that day I also prepared some more graphics that we can use.


Tuesday, 17 October 2017

TV News: Edit Diary Day 2

TV News: Edit Diary Day 2

Today was the second day of editing. My intentions for today were to finish of the package and polish what I had already done. 




Alex came in today to see what I'd been up to and I was eager to get his opinion. To start with he helped me locate some of the clips I was missing that I wanted to include in the package. 

He also helped me decide which clips should be shown in the studio introduction, as well as pointing out a few shots that need cropping/cutting, straightening or otherwise tweaking, that i may not have noticed myself.  

He continued to make suggestions as the day continued. We had a few discussions and there were times we didn't always agree with each other. Because Alex is used to producing all areas of projects he wasn't used to working with and listening to a lead editor (AKA me). As a result he did want to take control at times, and I did find him looming over my shoulder on occasion, thinking about what he would have done differently. However I admit I was probably the same during the shooting process, at times I probably tried to overstep my boundaries and try to direct, so neither of us are perfect.

However I can happily say that as the day went on Alex did realize that he was invading my space/expertise. By the end of the day he began to realize how I worked and began to trust my post production expertise. 

As the lead editor on this project (and since my interests/expertise lie in post production) I know how I work which the others are starting to respect. I like to have a bit of space when I edit and not feel like someone is constantly watching over my shoulder. I like to get others feedback but I like to finish a section and call someone over before hearing there thoughts, so that there is plenty of context and refinement. 



Today was productive once again as I polished the studio section and was able to put together a rough cut of our package. I've been keeping detailed notes of things I need to do/improve in this edit which Alex really helped with.  

Bellow are some of the notes we made, some of which were acted upon today:


  • Replace bike shot in intro with different form of transport.
  • Find the correct fonts to use in graphics.
  • Find more shots of Alex driving away.
  • Discuss order of package with the rest of the group.
  • Match the Panasonic audio with the go-pro footage.
  • Find A background for the green screen.
  • Balance some audio levels and find backing music for intro.
  • Find some press release footage from Tesla.
  • Prepare further graphics for Live, studio, and package.

Fiction Adaptation: Briefing

Fiction Adaptation: Briefing 

Today we had our briefing on fiction adaptation. We were introduced to mike who would be our unit leader if we picked this option. After a short lecture on fiction adaptation and a "pop quiz" that I scored a point in, we were introduced to our workshop task for the day. 

Image result for book to film
We were tasked with picking a Haiku from the ones provided and using stock footage to form a basic pictorial narative to match or rather symbolise the meaning (or should I say interpreted meaning) of the Haiku. 
After reading the ones available I sleected to look in to the following Haiku. "My life.... how much of it remaains? This night is brief". 
After giving it some thought and looking through a few clips I settled on my theme that I interpreted from the Haiku.  I wanted to look at aging and the passing of time. I started with footage of a baby in the womb, then transitioned to a todler. Then I used footage of balloons and presents to symbolise a birthday or comming of age. Which allowed me to transition in to footage of children playing then to teenagers hanging out. I then used footage of presents under a Christams tree to represent the passing of another year or years adn the gathering of a family. After demonstrating that more time had passed I used footage of an office setting to show how my character had aged furher and entered the adult world, before cutting to an old man walking dow a street. 

The text that appeared on screen for a short period of time durign this segmant was "My life... how much of it remains?"

Then my final two shots were of a time lapsed night sky, transitioning to a sunrise and then the final shot is of someone lying in bed with light peaking through the curtains. The text on screen read "this night is brief", matching the night sky. Then the character awakens to turn of their alarm. At this exact point I made the calming music that played in the background fade abruptly and the screen dip to black.

This was my aim, so as to leave the audience woundering at what point in the characters life was this sentance comming from since we don't see their face in the last shot. This could represent their death bed, or it could represent a dream. It's up to interpritation as I simply wanted to convey the passing of life. 



After completing this we all gathered as a group to watch each others piece and give feedback. A few people chose the smae Haiku as me, and although some were similar, none were exactly the same which I was pleased about. 

The feedback I received abou my piece from Mike and the others was interesting. I was told that the way I had combined the shots was very courperate, it looked like something a comany like moonpig, instagram or some organisation might commission if it wanted to promote a warm feeling of family and innocence. I was complimented on the fact it looked like a profeciolnal looking piece someone would commission, which supprised me but pleased me at the same time. I was told it almost looks like ot could have been used for promotional or advertising perposes.

After this we had a full run down of what this unit entails. This unit is formed by:
  •  A 5 minuet short film piece based on a sonnet that you will   select out of those provided for you.
  • A full script/shot list as well as location, and casting plan. 
  • Regular blog updates on your thought process and a brief evaluation of how you think the project went. 
My Thoughts
  • I will admit this project is more interesting than I first thought, however I've had my mind set on professional practice for some time and I'm not sure it was enough to sway my decision. 
  • Although I like the creative freedom we have, it's still not as much as I was hoping, since firstly it has to be based off of a sonnet, and secondly it's supposed to be one we select out of those provided to us, so it is a bit limiting in that respect. 
  • This unit requires you to write a script (which I am not very good at), as well as direct (and potentially operate a camera at the same time) which while I am perfectly capable of performing such tasks to a reasonable standard; it's not where my strengths lie and I would prefer to sharpen other skills in professional practice. 
  • If i opt for professional practice I have to write an analytical report which will be good practice for my future Dissertation and Critical perspectives essay. And I may still have the opportunity to attend some of the Fiction Adaptation workshops so as not to miss out entirely on some valuable skills.   
  • If I can secure a placement in the industry I want to work in (post production) it could prove invaluable. And while more fiction work could be useful to have under my belt, for now it remains my second choice. We'll see what Thursday brings.

Monday, 16 October 2017

TV News: Edit Diary Day 1

TV News: Edit Diary Day 1

Today marked the first day of the edit process. I headed in to the studios to begin piecing together our project. 



The first step was to review the footage we had shot over the past few days, and sort between the good and bad takes. Al the good shots I put in to a separate folder and then put in premier.

I decided the best way forward was to review the footage in the order that it would be seen in the edit. So I started with the studio stuff that we shot on day 5, then moved on ti the package. 

I initially intended to review all the footage today but got so engrossed in piecing together the opening that I thought it best to continue editing rather than interrupt my flow. 

The studio was quite empty today and Alex, Cailan and Andrew each had prior commitments. This was actually really good since I had plenty of space, piece and quiet to work in. I was able to get most of the studio stuff edited together as well as the beginning of the package. 



Although the others couldn't be there in person, I regularly sent them clips of what I had been working on, and they gave feedback.

I rendered out the beginning of the project to make sure it played fine. While this was happening I took the opportunity to make some graphics in after effects that we could use to support our brand when the production comes together. Bellow is the logo/graphic animation I produced.  


Alex is coming in to check my progress and assist tomorrow so I will be sure to get his opinions on what I've done so far. I still need to find a background for our green screen, perhaps he can help with that. 
Overall I was very happy with today and I made a lot of progress. 

Friday, 13 October 2017

TV News: Carology Social Media Update

TV News: Carology Social Media Update

This is just a small update to show that i have been continuing to develop the "Carology" brand. In an earlier post I showed that I had helped set up a Twitter and Instagram account for the "Carology" news channel. 

This was done so that we could become virtual social media managers, demonstrating our abilities to build and maintain a brand as suggested in the project brief. This was our interpretation which we believe meets and goes beyond the requirements.  

Since the last post myself and Alex have continued to update the social media on a regular basis. We had to make one or two changes along the way since our original focus was on electric cars. However since then it has shifted more broadly to the future of motoring, and we adapted our posts accordingly. 

I have had a strong focus on our twitter account, giving our audience small updates and insight in to the development of our project. I also align it with my behind the scenes documenting. Revealing cool photos of our set up and crew at work. Bellow is an example of some of the posts I have been doing. 

At least one or two tweets a day is what I aim for so that we maintain an audience and there attention. It's also a great place to share and collate news articles and research that I come across e.g. Dyson building an electric car, Uber banned in London etc.  


However I have been sure not to neglect our Instagram account. Making sure to post insightful and cutting edge updates/posts on our page on a regular basis.

Although Alex uses the Instagram page a lot, I make sure my contribution is clear. I tend to post press release photos or images of all manner of vehicles. Since our brand is "Carology" I started posting photos of Tesla's and other electric c cars. But as our project developed, i adapted and opened this up to other motoring related items e.g. bikes, self driving and hybrid cars, facts about fuel prices etc.  Bellow is an example of one of my posts. 


I like to ensure my posts are relevant to the "Carology" brand that we are trying to build up. We will continue to build up the social media of our brand as the project continues. 

Bellow are a few examples of some additional light hearted branding that I put together in my spare time. Designed to introduce our audience to the team behind "Carology" it is appropriately titled "Meet The Team". 





TV News: Shoot Diary Day 5

TV News: Shoot Diary Day 5

Today marked the 5th and final day of our shoot week. Today was dedicated to shooting in a studio environment with an anchor man and green screen. Today was another productive day. My role today was director and camera operator. 



We arrived at the studios today fully prepared with a script, an idea, and a whole lot of equipment. Cailan had booked out a room for us ealier in the week that we were free to use, which was great. We had a minor mix up as the room we had been assigned had a double booking, but this wasn't really a problem as we moved to the room next door which we had scoped out (or RECCIED)as a back up anyway. 

We began by setting up the green screen, we wanted to make sure that it was as smooth as possible with no creases to give a smooth and professional back drop that was easy to chroma key out. We then positioned tables and a chair in front of the screen so that our presenter could be framed as central as possible. 

I discussed with Cailan as to what the best lighting set up would be. He thought LED's might work but from my looking at other peoples shoots and from the workshop we had I knew that we'd need the tungsten lights. We started with a fill and a key light as planned but the lay out of the room didn't really allow for a back light. However this wasn't really needed. 


We did face a slight problem with shadows being cast by the presenter. This took a lot of maneuvering of lights and we had to set up 2 additional LED's  to help reduce this. Although we couldn't eliminate the shadows completely we were able to reduce it to an acceptable level. 

We had originally planned for a two camera set up, however for multiple reasons we decided to stick with one. Firstly Cailan and Andrew were not 100% sure it was necessary and unlike some people I beleive in listening or at least negotiating with team mates. Secondly since Alex was away today we didn't have a camera that could match the settings of the Panasonic, and space restrictions would have made it difficult anyway. But this was fine its important to be able to adapt in 
these situations. 
 


We started with Andrew as our presenter while Cailan operated the camera, and I directed. Cailan and I worked together to make sure the shot was well framed. We set up a clip mic for each presenter. Then Andrew had a few practice run through's of our script. We decided an auto queue wasn't necessary for this as it was not that long a piece. 

Andrew had a good attitude towards presenting but seemed to struggle considerably. He had a bit of trouble getting through sentences and tended to change up some words and pronunciations which didn't help. None the less I admired his positive attitude.

The advantage of filming this section at the end of the shoot is we know exactly what content we have filmed and what our presenters say on location. As such i was changed a few lines on the script so that they were more accurate and made more sense. 

While directing I also read out Alex's on location lines so that Andrew and Cailan knew how long of a gap to leave before starting their next line when talking to Alex who would be "live on location". This also helped it feel more real and allowed for more genuine responses.  

After a successful take with Andrew it was Cailan's turn to sit in the "hot seat", and have a go at presenting. 

I continued to direct, while also operating the camera and re framing the shot for Cailan. I began to give gentle pointers on presenting (since I have experience in speaking to an audience) which I think went down quite well. 

Once again we did a few practice runs before starting filming. This time I decided to take a slightly different approach to make the presenters job easier. I broke the script down in to individual blocks that we would film. This way the presenter could learn a section well and then we could film it, then take a break while they learned the next section before resuming filming. the gaps would then be bridged with VT/OOV's etc. 


However to ensure we had the best of both worlds I made sure we also filmed a few complete run through's. In my opinion Cailan defiantly  did a good job as the presenter, and although both were good, I think it came more naturally to Cailan than it did to Andrew. 

The only real pointers I had to give to him was to inject a little more enthusiasm in places. This is something I notice Alex struggled with as well, perhaps it's a nerves thing, or perhaps it's because we were all a bit tired. 
I also suggested a few vocal exercises to help with pronunciation which actually seemed to work quite well. 

By the day we had some great takes with both presenters and I'm very happy with the productivity of the day and the enthusiasm of the team. I also continued and concluded the behind the scenes filming that I had been doing and will upload to this blog when edited. 

Today was a great day and I was pleased with the results and our ability to adapt. We unfortunately had to pack up at 3:00 since another group had booked the room after us. Given more time i would have done a few more takes from a slightly different angle. Since i noticed that they do this on broadcasts like the BBC, but as Andrew/Cailan said they don't do this very often and since ours is a short section with VT/OOV it didn't really matter. 

Overall I think we had a very productive shoot week. I am very pleased with the results and filming we were able to achieve. We had to adapt our plans a lot during the week which i think demonstrated and improved our ability to think on our feet.

I think overall we worked well as a team, and even though myself and Alex occasionally had "creative differences" it was only because we wanted this project to be as fair, equal and as amazing as possible. And eventually we pulled together well as a team to get a great shoot. 



I would Just like to note that I was the only team member that was present for all 5 shoot days. While all team members had completely fair and valid reasons for not attending certain days, I think this really shows my dedication to this project in case there was ever any doubt (which i don't think there was). 

Positives
We adapted to the room change well.

We set up quickly and had a good set up.

We were able to get multiple takes with both presenters. 

In Alex's absence I filled in as director and listened  to the team, and gave opinions/pointers without being bossy. 

We had some really nice framing and were able to fully utilize the camera and lighting equipment. 

We worked really closely and efficiently as a team to get the best results possible, be it through practice runs, vocal exercises, opinion pooling, splitting roles etc. 

I didn't once get annoyed with anyone, and maintained a productive yet relaxed environment.

Difficulties

We had a change of room, which meant we had slightly less room than planned but this wasn't really a problem. The only issue we had was background noise from people outside the room. But I fixed this by occasionally popping my head out the door and very politely asking for quiet. 

We had a few shadows on the green screen but i reduced this as much as possible. 

   
We were limited to one angel, but honestly this helped simplify things especially since we had to do multiple takes when the presenter stumbled, meaning we didn't have ti reset 3 cameras. 

I may have jogged the camera/tripod once or twice but I don't think this was too noticeable. 


  

Thursday, 12 October 2017

TV News: Shoot Diary Day 4

TV News: Shoot Diary Day 4

Today's shoot was to form the live part of our news piece. I must say that right from the outset today felt like one of the most productive, efficient and well put together shoot days we've had. 



Today we went to interview AJay, who was the contributor I found, he was a big electric car enthusiast, who would hopefully be able to give us a different perspective on the future of motoring to what we had already seen. My role today was assistant camera operator and assistant director, which I was pleased with as my skills were put to good use. We also had full team attendance today which was great.

What was good about today right from the start was we had a clear plan of what we wanted. I had previously planned out potential set up's that we could use (although this had to be adapted which I'll get in to later), and we were conscious of time. We didn't want to over run with the time slot we have for our "live" piece; we also didn't want to take up too much of our interviewees time. 

As such we introduced ourselves and followed Helen's advice, meaning the interviewee put the kettle on while we scouted the house for potential filming locations and set up the equipment (a mini RECCIE if you will). Its important to note that I contacted AJay the day before to make sure everything was still good, this was when he told me he had to change locations from his office to his house. Meaning we had to adapt our set design plans. 

This was where we encountered the first difficulty of the day, our subjects house had good natural light but that alone wasn't enough. The problem was, the lights we brought looked far too obvious and ruined the point of lighting a subject in the first place (getting them to look natural). But the lights in the interviewees house interfered with our cameras causing black bars to flicker across frame. 

We had originally planned to film inside with a lighting set up, however when we realized this wasn't possible we adapted our plans and scouted the Garden. We considered filming in front of the subjects car, but this was too close to the road and had too much traffic noise for a successful interview. Instead we moved to the patio area of the garden where our presenter and interviewee could sit across from each other. This worked really well and allowed for great framing and camera angles. 


We eventually settled for a 3 camera tripod set up, which while not un common in news, strayed slightly from our original plan. However it allowed us to get great coverage and i had previously discussed the possibility of a multi camera set up with Helen, which she liked. 

We decided that the natural outside lighting was more than enough since it was a clear day and put the lighting away. 

What was really interesting was our sound set up and general set design. At first we planned one clip mic for the presenter and the rest to be picked up via bomb. However upon arriving on location we realized this wasn't practical. So instead we discussed with Ajay how we could "jazz up the set a little" (we had a few objects to hand that we tried out but they didn't seem very natural). However Ajay was kind enough to let us put a spare bottle of wine he had on the table, with two glasses. This not only looked natural, but let us hide/attach the clip mic behind it, for great audio levels (anything else was  picked up by our RODE mics). 



There was also a small bush behind the table which made for a nice contrasting rustic background when talking about the future of motoring (we've utilized contrast a lot during this shoot); I kindly asked if i could snap a few branches so that it didn't overfill the shot and distract from the subject. 

After these preparations were complete we did a few practice runs of the script we had written. We had Alex presenting (who did a great job) Cailan operating the main camera and Andrew as a camera assistant. I also had a camera to operate but noticed it was difficult for Alex to present and direct at the same time. So i stepped up as assistant director and offered advice on framing and sound. I also offered Alex some friendly advice on how he could present a little smoother instead of it feeling forced at times. I offered this advice since i have experience in the area, however I think Alex felt I was "stepping on his toes" (something that we struggled with earlier in the project), so after some discussions we met at a middle ground.

I also discussed with the group that we would be leasing with the studio at times and suggested we leave a gap for a response from both sides just as I had seen in other news broadcasts. I tried to direct as to how long of a pause we should leave when talking to the studio or proceeding to the next sentence, which sort of worked, it would have been better if i was listened too a little more. But it helped when i read aloud the pre-written responses we had planned. 

In order to make Alex feel a little more comfortable we made a few alterations to the script whilst there to help it flow better. We also ran through the questions with AJay, who was happy with all of them but suggested we change the phrasing in places. 

I need not have worried about this as it only helped the interview flow better. Alex struggled with his confidence at first and tried to suggest I take over since I had more experience; and while I could have done this I knew there was great potential in him and wanted to see it. I was right to do so as after a few takes of the intro, once Alex warmed up, and relaxed a little he did a truly fantastic job.



We got some great what I like to call "word tennis" going between Alex and AJ, question answer, expansion etc. Which was really good, Helen was worried AJ might be a bit "flat or dull" however i think is enthusiasm really shone through, and Alex and AJ were able to bounce off of each other really well. So much so that we had to do another take just to help the interview fit within our time limit. 

Cailan had some epic framing as usual on his camera's and when I checked the audio levels they sounded great. Andrew was also a great help and i think i made a good assistant director. 

After a very successful interview AJay was kind enough to let myself and Alex get a few shots of his electric car (while Cailan and Andrew reviewed the footage and packed away the equipment) that we can use for cut away's. 

Alex focused on getting close ups of the interior and exterior as that is his specialty. I meanwhile experimented with a few different shots. At first I got some pans with the tripod, which didn't work amazingly well, so I moved on to zooms and focus pulls which worked better. Then to top things off I got out my mini dolly and got a few pans/tracking shots from the ground which I think worked and made me very happy. Finally I set up my gorilla pod on the ground and got an ever so slightly canted shot of AJ driving away which I was really pleased with, while Alex did some great tracking shots. 










I also continued to document behind the scenes (i'd like to note this was my own original idea), and overall was very satisfied with my contribution today. We had a very productive day and have some great footage to work with, i can't wait to review it in the edit process next week. Tomorrow we will hopefully wrap up our shoot with a studio set up/scene. 

Positives
We worked well as a team, and everyone had a clear contribution and did there job really well.

We stuck roughly to our schedule.

We utilized all the equipment we had to hand really well.

We got a great flow going for our interview that went back and forth between presenter and interviewee, allowing both personalities to shine through. 

We had a creative set up for both camera and audio that paid off. 

We got plenty of footage, actually more than we planned that will come in handy. 

We adapted well to the situation when things changed.

We had time to RECCIE the location before shooting and bounced around different set up ideas.

I didn't loose my temper with any of my team mates. 



Difficulties
Since it was difficult for Alex to present and direct at the same time, I stepped up as assistant director, and while I think I did a good job, I did feel as if I was "stepping on Alex's toes" or getting in the way at times.

we were originally planning to film in an office but this changed last minuet and we had to find more appropriate props for set design. 

The lighting in the house interfered with our cameras so we adapted our plans/set up to move outside. 

Alex struggled a little at first but once he relaxed he did a truly stellar job as a present.   

We had to do multiple takes since some were too long, or one person messed up, or in one instance a plane flew over head (but the multiple takes will likely come in handy).