Saturday, 2 February 2019

Major Project: Research-Learning To Grieve: George Shelley

Major Project: Research-Learning To Grieve: George Shelley

Continuing with my research into relevant and useful source material to use as inspiration to guide/inform our documentary. I felt it would be a good idea to look into another BBC Three documentary since the last one I researched seemed very close to the style we were after. This time I looked into the documentary "Learning To Grieve: George Shelly". Below you can read the notes of my findings after watching this short film. 

  • We get some background on the presenter right at the start of the documentary.
  • Nice use of establishing shots
  • Presenter visits their old home town and other sentimental places, in order to reflect.
  • Old photos used
  • Quiet but really effective background music.
  • The documentary uses cutaways in a unique way (most of it is B-Roll) so it adds to the story without distracting from what is being said.
  • Use of extreme close ups as reaction shots.
  • Shots of presenter fighting back tears (we then connect to them on an emotional level).
  • Subtle use of heartbeat sound, really effective touch.
  • We talk to contributors that really add something to the story; family, friends, nurses etc.
  • The handheld camera helps everything feel raw.
  • Interviews are mostly uncut so we hear the presenters true unedited thoughts.
  • As the narrative moves forward the presenter takes time to regularly reflect on what’s been happening and how their feeling.
  • It isn’t immediately clear why we are going to talk to certain contributors or even who they are (feels a little random at times).

  • We watch the presenter performing one of their “hobbies” as a method of working out their emotions but also distracting themselves from them.
  • Shots of presenter hugging, breaking down and looking into middle distance as they deal with their overwhelming emotions.
  • Text is used to make and explain/expand on certain points.
  • Two shots, reaction shots and reverse shots.
  • The presenter talks a lot about what’s happened and how they feel about it, but not so much what they’ve learned.
  • When the presenter is at a low point all other audio is cut. Our focus is on them and only them.
  • Great mix between PTC’s and voice over.
  • Some tangents e.g. the one about the presenter’s sexuality were nice to see but felt a little irrelevant to the core of the narrative.
  • Effective Depth Of Field in shots and possible use of colour grading for added effect, something I hadn't previously considered in my editing notes.


Closing Thoughts

  • A really effective documentary that connected us with the presenter on an emotional level much better than several of the others we have looked at.
  • We get a rich understanding of the presenter's background and life, through the places he visits, people he talks to, and stories he tells.
  • Overall narrative arc didn’t seem that clear. The documentary is about learning to grieve but it isn’t made overtly clear exactly what we’ve learned.
  • Similar storytelling techniques to what we’re after, but we’d have a clearer and more fleshed out narrative.

Overall Relevance Score 7/10

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