Wednesday, 21 February 2018

As Live Production: "Old To New" VT Research

As Live Production: "Old To New" VT Research

As part of my ongoing work as a VT researcher I have been looking in to the new task I was assigned. Since the running order changes that were discussed in the recent production meeting my group had been assigned the "Old To New" VT to re-brand and research. We now want to look at at least one trend from each decade (70's-00's) that we can then present to our audience using models. Bellow is all the research I have undertaken in to the different trends of each decade that we can use. 

This task has helped me improve my skills as a researcher. I have had to visualise each style and work out how plausible and achievable they will be to get models to demonstrate in a studio environment. In some cases, trends overlapped decades sp I used my common sense, and initiative (following the advice and skills I picked up on when researching this role), and making sure to use a variety of sources in order to fact check specifically which decade each trend was most popular in. I hope that this research will prove useful when planning the shoot of this VT.


Trends Through The Decades (George N)

Different era’s had different fashion trends and aspects that made them unique and defined the decade. I’m going to explore the most popular fashion trends from the 70’s right up until the 00’s so that we have plenty of ideas and inspiration for our “Old To New” VT.


70’s Trends
The Hippie-Although this trend started in the late 60’s it really came in to its own in the 70’s. The Hippie style was intended to be very different and stand out from the crowd. Sparked by influences from figures like John Lennon, the Hippie style was designed to stand out and rebel against the capitalist mainstream ideas of fashion that were present at the time.

Hippies would tend to wear brightly coloured tops and other clothing that featured unique and extragrant patterns. Jeans or trousers would tend to be loose fitting and flared at the bottom. It was not uncommon for “Hippies” to customise and “tie dye” their own clothing.

Overall the idea of the hippy was to pair bold outfits with a more casual low maintenance approach to hair and makeup.

Modern Hippie looks tend to pair the look with jackets bags and several other accessories e.g. glasses/bracelets to emphasise the uniqueness of the styl
e.



80’s Trends
More than ever the 80’s was a time of celebrity influence. People would look up to and attempt to emulate the look of their favourite celebs. Long before Rhompers and Onezies stars like Madonna helped to make bodysuits popular. These suits were designed to be understaed yet flattering for the figure. Usually worn under other clothing they were often seen as a simple yet stylish option for recreational activity e.g. workouts, dancing etc, as they focussed on allowing freedom of movement.

Another trend popular in the 80’s was roll neck tops. Made trendy once again by american sweethearts like Brooke Shields, Roll neck tops were focussed on simplicity. Intended to give off that “girl next door” vibe they were a great “go to” option that could be seen to be very stylish. It is important to note as well that in recent years “Roll Neck”/”Turtle Neck” Tops have made a resurgence among both men and women.

When it came to the Men of the 80’s they were presented with a greater yet simpler variety of options than they had before. Jeans were back in but with more brands available than before men had more cuts, colours and styles to choose from (e.g. boot cut, slim fit etc). Boots and smart shoes were put to one side in favour of more practical and comfortable trainers (Reebok style white trainers proved to be some of the most populer). The long Hippy hair of the 70’s wasn’t completely out but was sensiblized and fashioned in to the male ponytail (which again has seen a resurgence in recent years).

Overall we can see that the 80’s had a strong focus on practicality in its styles and trends more than anything. Especially with accessories like “Fanny Packs” booming. And today we see many of these trends being adapted or revived to form things like Rohmpers.




90’s Trends

The 90’s presented a variety of style options for men and women that we still see today. First of all we can’t talk about the 90’s without mentioning denim.Although denim had been present across all the decades we have covered, it didn’t properly take off until the 90’s. Double denim was obviously huge for both men and women, but something that was also huge was overalls.

Traditionally worn for working in, denim overalls jackets and the like became incredibly fashionable. They were easy enough to wear and allowed for easy customisation e.g. using pins/badges, cutting straps, holes, rips etc. It was less about what overalls you wore (since they didn't exactly come in a variety of colours) and more about how you wore them. Often people would deliberately choose to only wear one strap, or wear a bigger size than they needed.

Crop tops also took off in a big way in the 90’s. As it became more socially acceptable for lots of skin to be on show, many women would opt for a crop top in order to show off/compliment their figure.

Fashion for men in the 90’s also took off. The 90’s saw the birth of the flannel shirt. An easy option that came in a variety of patterns and colours to express the individuals style. They could be worn solo, or paired with another top to make a more complete outfit. Flannel shorts are arguably still just as popular today.

In terms of accessories women had costume jewellery like mood rings, but men helped give birth to the bandana trend. A trend that likely originated due to influence from rap and other music stars, it was a trend that had both fashion and practical uses and is still seen today.





00’s Trends

As the world moved in to a new millenium, fashion moved with it, giving birth to a variety of new trends to suite a new generation.

Arguably the biggest impact the early 00’s had on fashion for both sexes was the tracksuit. While tracksuit tops haven’t lasted that well, tracksuit bottoms are still a popular choice for both men and women today; and in the 00’s branded tracksuits were all the rage. Representing the chill yet exciting vibe of the early 00’s tracksuits were available in a variety of colours it helped make a statement and people would coordinate their outfits to accommodate for their chosen colour scheme. They were more often than not branded and likely sparked the idea of a wearing a brand name being a style in itself.

On the other end of the spectrum you have the wild, rebellious and outlandish style of the 00’s punk rocker. As something that could be seen as an extreme evolution of 60’s style, punk rock style sought to reject social norms and push boundaries. Sporters of the style would often customise themselves with vibrant hair colours, piercings etc. The punk rock style saw the birth of ripped jeans, chains, and checkered/tartan patterned clothing. The idea with punk rock was to stand out in as many ways as possible by wearing clothes that made a clear statement, making styles that might have initially been seen as tacky (ripped jeans) or too outlandish (vibrant hair, tartan etc) fashionable.

One other trend that we saw take off in the early 00’s was camo. This trend ranged from camo shorts and vest tops. To “neon pink camo pants for girls”. There was something for everyone and despite the idea of camo originally being to make the user hidden and inconspicuous, the 00’s dod what it does best and rebelled against this by providing a variety of coloured camo clothing for both men and women.

And of course this decade came with its own set of accessories. Girls had large hooped earrings and oversized sunglasses, while guys had things like snapback hats (often worn sideways or backwards to once again stand out from the norm).




Sources


Saturday, 17 February 2018

Critical Perspectives: 16/02/18

Critical Perspectives: 16/02/18

To start the lecture we were introduced to Tracey Ashmore who is there to assist us in the writing and structure of our dissertation proposal.

There are two main types of enquiry: Exploring the relationship between societal views and.... 
-Industry related practices 
-Industry related output

These are the 4 common aims when writing an essay:
1. To measure/gauge the extent of a phenomena
2. To challenge a view/practice
3. To update or recontextualise a view/practice
4. To evaluate a view/practice

Group Activity
Example question: Is relaity Television Taking Over From Soap Operas?

What is wrong with this question?
-It is worded poorly and is a bit vague (a better question would be "to what extent is reality television, taking over from soap operas?"

What details does it lack?
-It lacks depth and it lacks reference to source material. 

Do you think the person knows the answer?
-I think they have a vague idea but not a well thought out answer.

What are the dangers and pitfalls of basing a dissertation off of this question?
-There will not be enough substance, it is very broad, and there is not a lot of theory that can be applied. Also, it's a closed question that only has a yes/no answer.

What research do you think this person has done to arrive at this enquiry?
-I don't think they have done much in the way of research at all.

What research would you advise this person to do, to develop their enquiry?
-Look into theories, pick a time period to focus on, find the origins of each genre. 



Thursday, 15 February 2018

As Live Production: Report Writing

As Live Production: Report Writing

30% of our grade comes from a critical analysis report of our production role.

This essay will be 2000 words and should be made up of research in to your role, and studio production in general. Similar to professional practice, this report should be a guide to how to perform your role. It should give details about the technical aspects, opportunities and challenges faced. But should be kept distant from a diary of your experiences, more of a guide with references to your experience.  

Show the reader that you are able to critically evaluate your work, by understanding critical approaches, informed by referencing your academic reading throughout. 

The report should reference: 
  • The process and methodology adopted
  • Your research into wider context of your chosen area of work and established methodologies and processes-(you must research your chosen role)
  • Contextual information for each project and background
  • Insert your test shoots, scripts, paperwork etc. in to your appendix as an example of your creative process. 
What to include and structuring:
Draw up a list of general areas you will need to cover-try mind mapping
Overal Rule- Tell them what you are going to say(intro), actually tell them (Main Body), recap and summarise what you've told them (conclusion).

Titles and sections to include:
!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!


Report Format- You need to use a combination of the following:
  • Bullet points
  • Titles heading/subheadings
  • Illustrations/images
  • Page Numbers
  • Foot Notes
  • References
  • Bibliography
  • Appendix 

Sources of information: People; books and other publications; online; events and places.

Always adopt a formal writing style which is "unobtrusive".

Argue your points in the essay by supporting them with evidence.

Avoid Colloquialisms.

SPAG, Avoid overly long sentences/paragraphs, 

Explain things an uninformed audience wouldn't know.

Proof read your work before submission.

Be concise and clear

Avoid simple terms like "basically" or "actually".

Avoid unnecessary repetition and back referencing. 
____________________________________________________________________

Why do a research Report?

It justifies your creative methodologies and choices.

Shows you can make informed decisions.

Shows you can reflect on your work.

Wednesday, 14 February 2018

As Live Production: Mock Up VT Shoot

As Live Production: Mock Up VT Shoot

Today was my groups shoot day for the two mock-up VT's that we had been assigned. Due to a slight change in the show's running order, the VT's we had to work on were the "Old To New" VT (that I have been researching) and the "Online Fails" VT. The idea of this mockup was to make sure we knew what we were doing. It was designed as a practice run so we could ensure we filmed in the correct style and had an idea of the length of time the VT's would take up. It also gave us a chance to identify any challenges that we might face in our actual shoot. 

Although my role for VT's is as a researcher I still found myself taking quite an active role in this shoot which was a great experience and I found myself recalling and improving on skills I had utilised in previous units.











We had two VT's to film today and planned we had planned to film both of them in and around Callum's house, which worked to our advantage since we didn't have to spend too much time to RECCIE the location since it was already familiar to several of our crew.

In the morning we worked on the "Old To New" VT. For this part George Wing was the Director, Jason was on camera, Callum was our producer, I was a camera assistant, while Alex Hargood and Amie were our models. 

For the first half of the day I served as a camera assistant. I helped with the framing of shots as having watched some other source material from sites like Buzzfeed I had an idea of what we should focus on. 

We used mostly tripod shots so that we could easily pan and zoom to focus on the outfits our subjects were wearing. Each of our subjects had two outfits (mostly borrowed from Callum as we haven't yet purchased the outfits we will use for the real shoot). 

We tried to keep the backgrounds plain for the most part (e.g. using a white wall) and mostly filmed outside relying on natural light. This way we didn't have to keep resetting the white balance, and we could keep the audiences focus on the clothing not what's in the background. George and Jason paired this technique with some extreme close-ups to ensure our style was consistent with that of other fashion media.

We did a small RECCIE of the location and found an old VW camper van parked on the road. This worked great for mise en scene/set design since it was from the same era as one of the outfits we were using. We had Amie walk past it while we filmed from the other side of the road. Upon my suggestion, we then had Alex also walk past the camera twice (in two different outfits), this way Alex could hopefully do some clever cuts in the edit to make it look like the models are stepping through time. 

In the afternoon we all switched roles in order to film the second VT mock-up. The next VT that we filmed was the "Online Fashion Fails" VT. For this Mock-Up, Drey took over as Director, Jason stayed on camera since Alex B couldn't make it due to illness;   Alex H became the camera assistant (he also appeared on camera at times so Callum filled in at those points), while Amie worked on sound, Connor D was the producer, and I was the presenter.





The first part of the VT was filmed at a desk in Callum's room. The desk was next to a window so we were relying on the natural light at first. However, this proved to be ineffective as I am facing away from the window for the majority of the scene. Fortunately, I had brought some lights with me just in case we needed them. We set two up as a key and a fill/backlight and they made the shot far more effective. I was able to learn my lines quickly and give an effective delivery. Drey set the shot up so that we had a little bit of a cut away/establishing shot to begin with, (I scroll through a laptop looking at fashion related items) before the camera adjusts its zoom and I turn to face it. This helped to give context to our audience and is a tip we will take forward in to our future shoots.

For the second half of the VT we had an interview two-shot situation. We thought about having a two camera set-up but for this mock-up it would have overcomplicated things (since the cameras would have different white balances and colour grading). So instead we used 1 camera but did multiple takes from different angles.

For this I interviewed Alex about his own online fail story. I again found learning the lines quite easy since i'm well practised at it and I was able to adapt them slightly so that it flowed better and sounded more natural. 

The lighting in the kitchen was awful, but fortunately my lights were able to effectively fix this. We had to move them                          around quite a lot though as their reflection                        was picked up in the kitchen tiles. 


Another issue we hadn't anticipated was the lack of space in the kitchen. As a result the camera had to be placed on the work surface in order to get both me and Alex in the shot. After a few takes we achieved a successful interview that matched the slightly more "watchdogs" documentary approach we wanted for the VT. To conclude the day we filmed a few reaction shots from me (e.g. nodding, asking questions etc). This was so Alex had something to cut too in the edit along with pictures of the item discussed in the interview. 


Overall today was incredibly productive. We all worked really well as a team in order to complete two successful mock-up VT's. This was a great learning experience that prepared us with the skills, and things we need to anticipate in our actual shoot.

As Live Production: Etsy Contributor

As Live Production: Etsy Contributor

As part of my ongoing research, I have made a conscious effort to contact and find as many possible contributors as possible. 

The main contributor I was in charge of finding was one for the DIY section. For this, I suggested that we use an Etsy seller as they would make a great interviewee. Etsy sellers make all their own items and are able to use the site as a virtual craft fair to market their goods to a global market. 

I went on the site and used search filters to locate clothes sellers that were within a certain radius of the Maidstone area. I was able to locate a number of sellers which I then proceeded to contact.



Following the advice I found through my research, I used a formal style of writing without making it too serious. This way it appeared as a calm and professional inquiry but encouraged human connection. I was sure to clearly explain the pitch and concept for our project and our proposed shooting days. As well as explaining what we would want to hear from the contributors.



I received multiple responses so had to use my organization skills to sort through all of the replies and work out who had the best availability and who would make the best contribution (also taking into account who was most eager).

Ultimately I decided that out of the responses I received, Bonnie Arpino was the best applicant and contributor. After this was established I continued email correspondence to give her as much detail about the project as possible so she could understand the angle and information we wanted to source.



As a researcher, you also work closeley with the other departments in preparation for live production. So once I had built up this contact with Bonnie I passed on her details to casting, and to the directors/producers so that they could evaluate her contribution. 

Even after I had done this I still made sure to keep regular contact with the contributor and keep her up to date on the progress of the production. This way they feel involved, won't "go cold" and will be more inclined to work with us. This also meant that any changes on either end could be communicated quickly and efficiently. 


Tuesday, 13 February 2018

As Live Production: Workshop 20/01/18

As Live Production: Workshop 20/01/18

Today we had our first proper workshop with Del. It was split into two halves. The first half was a camera workshop, where we got hands-on with the camera equipment that we would be using during the Live show. The second half was an introduction to vision mixing and gallery operating. 

Camera Workshop
For the camera workshop, we were split in to groups with people we hadn't necessarily worked with before in order to strengthen our team working skills. 

The first camera my team got to work with was the track and Dolly. Although I have used this equipment on a small scale, I have never used this in a large scale studio environment. The most difficult part was to achieve a smooth pan while keeping good framing. We wanted the camera to be just above the heads of the audience so as to avoid a messy pointless shot, but still establish the fact that we are in a studio. 

This was a useful insight as to how having camera assistants will come in useful. The main camera operator could focus on the framing, focus, and zoom. While the camera assistant could focus on moving the pan helping to make shot changes simpler and more efficient. 

Next, we got to try out the handheld camera. I had attempted to use this camera in a TV News workshop and found that it had advantages and disadvantages. This camera would be very useful for "Vox pop" style interviews with audience members, as it is easily portable and has a very good zoom, making it easy to get to the contributors and frame them up quickly. 

However, it has very specific focus requirements. If we were to use this camera in the Live Production then the operator would need to take the time to learn and get used to this camera since it is different to the others we have worked with. Since all the controls for focus, zoom, ND filters etc. are all on one side, it makes it slightly simpler to operate. But it has multiple extension rings which can mess with the focus, so it can end up being unintentionally shallow if the back focus is not lined up with the front.
But from using it I found it was great at performing handheld pans, and even when zoomed in on a subject from far away, its weight distribution allowed me to keep a steady and focused shot. So this camera could certainly come in handy if used properly. Once again you would likley need a camera assistant to take care of cables and ensure you don't trip if you are using the eyepiece (which i found useful since I could watch and listen to what i was recording without having to mess with LCD screens or headphones).

Del also introduced us to the studio's gradient chart. He explained that this was so we could make sure each camera had the same white balance, framing, focus etc. meaning that when we cut between shots the continuity would remain the same. 

He got us to line up each camera so that they were the same height and distance from the chart. He had each camera linked to a monitor so we could ensure our shots matched in continuity. This was more difficult than I anticipated, especially when Del asked us to adjust the focus since some cameras had different control configurations (e.g. one had zoom and focus controls on the same ring). This just goes to show the importance of learning your equipment. 

Vission Mixing Workshop
The second half of the day was dedicated to learning how to vision mix. I was eager to learn about this since it was my second choice for my production job. I was particularly interested as Del described it as "Live Editing" and since I consider editing to be my area of expertise, I was keen to see the difference between "regular" and "live" editing.

Del talked us through how the vision mixing panel operates and the basic role of the vision mixer. The most important thing to note was that there were two rows of buttons in each section that were linked to two main monitors. One controlled the preview (the next shot that is being prepared to transmit), and the other controlled the Transmission (the shot that will be seen by everyone Live).



For this masterclass, Del would sit us down and get us to line up a shot on the preview then "Mix" (the live version of cutting) it to the Live transmission. 

The preview screen allowed us to see a shot before it airs to make sure it is ready (when we actually go live we will have a monitor for each shot so we can check them at all times), this is important as you need to make sure a shot is framed and ready before transmitting it. Del would use a variety of technical terms to keep us alert, first telling us which shot to line up on the preview (controlled by the lower set of buttons) then when to mix them to the transmission (controlled by either the upper buttons or the lever). As we progressed he would speed up, change the order of words and get us to mix at times without previewing (which could be necessary in a fast-paced live environment).

We adopted a specific hand positioning so that we could operate the panel using muscle memory and focus our eyes on the screens (which I struggled with at first but quickly got the hang of it, especially when my hands were deliberately hidden from me to make it more natural and boost my skill).

Del also showed us different methods of mixing such as wipes, box transitions etc which allowed us to familiarise ourselves with the other buttons on the panel.

Overall I picked up on the technical language easily and was able to cope well with the fast pace and curveballs thrown at me. I made one or two mistakes but I was happy with my performance and the new skills I learned (Del also stressed that it is important to just carry on and not panic if a mistake is made, which is advice I will take forward).

Monday, 12 February 2018

As Live Production: Production Meeting 12/02/18

As Live Production: Production Meeting 12/02/18

Today we had a key production meeting to check on everyone's progress and so that we could all understand what changes had been made and what everyone needed to do.

These were the majour Points that were discussed:
  • The "Old To New" VT has been chaned and adapted to fit the style of the show. It is now going to follow a similar style to a Buzfeed video, in which we will pick a trend from each decade and use modeks to display them. Information will then be provided through graphics and or voice over. We al agreed that this style was more modern and matched the tone of our show (I have been put in charge of researching for this VT).
  • The indipendant stores VT has been scrapped as it doesn't link well with the rest of the show and takes up too much time talking about things that we discuss later in the show anyway.
  • We want to reduce the time we spend mentioning "dad trainers" as they are not strong enough to justify their own section.
  • To fill the time gap left by cutting the previous two sections we want to look in to indipendant online retailers. In the last meeting I suggested we look in to Etsy sellers, which was agreed to be a good idea. Since then I got in contact with a seller who said she'd be happy to contribute to/appear on our show. I informed the producers of this at the meeting and it was agreed it'd be a good idea to have our new indipendant VT centred around my contact. 
  • There were also to be some minor changes in the running order but this was just a case of re-shuffling so that sections link better.
  • We all now have tasks to work on. I will continue to talk to my Etsy contact as well as researching the "Old To New" VT and assisting the other researchers. 

Thursday, 8 February 2018

As Live Production: Scripting VT And Graphics

As Live Production: Scripting

Scripting is a key part of any production. With live, they are essential to making sure the show runs in the correct order, and runs to time. 

In and Out words (IQ OQ in cue, out cue) intro's + outro's to link
Camera Cards
Title should match title on the VT clock and script

A decision must be made as to how much scripted content the programme contains (if there is a lot, a script or prompt for the presenter will be needed).


If using prompt cards, they should be kept simple, and easy to read. Ad-libbing has the advantage of feeling more natural, and can be easily directed. However, they would need to have some notes, or a briefing to work from in order to ensure they stay to time and content. 

With magazine shows such as our show, a lot of the script is flexible and will be as directed. This has its advantages provided the gallery PA's keep track of time, and the floor staff can adapt segments to be slower or quicker.

You need to ensure that your script is:
Factually accurate
Well Written (SPAG)
Concise
Adopts an appropriate tone of voice
...

All crew will refer to the script during the production so make sure everyone has the correct version.

Abbreviations to remember...


VT
VT's can be used in any part of the show, they help to provide additional information, or external content that wouldn't be able to be shot in the studio.

Why Use VT??? Well that can vary depending on the genre.
Quiz Shows: can introduce a round or package.


The VT should have the same style/approach to the rest of the show.
Advantages of VT are that they provide additional entertainment to bring up the energy of a show. They provide additional information, and they will be an exact length and won't over/under run. 

Graphics
Graphics can serve a variety of purposes and can appear at different points throughout the programme. 
They can be used for opening titles, stings, subtitles (lower thirds or captions), on-screen stats/prices/scores, and credits.

Be sure your graphics are: Accurate, fit the branding, are clear, of an appropriate size/position, have a clear font, and serve a purpose.

Don't use punctuation, abbreviation etc unless necessary. Utilise drop shadows, outlines/stroke and other effects to make them clear to read. 

Ensure they are well spaced, and don't clash/blend too much with the background, also don't put too much information up at once. 

Try to follow/keep in mind the "Golden Ratio".

Consider the advantages and disadvantages of a complex set. Sometimes a simple one colour background can work well as it puts the focus on the guests and content.

Wednesday, 7 February 2018

Etsy (Background Research And Examples)

Etsy (Background Research And Examples)

As a resercher for this unit I am not only responsable for finding sources, inforamtion and expanding on our ideas. It is aslo my job to come up with new ideas. In a recent production meeting the idea of indipendant stores was scrapped, so we needed an idea to replace that section.

Image result for etsy logo

I came up with an idea that followed a similar theme, but was more relevant in today's e-commerce driven society. I suggested that we look in to exclusiveley online retailers like Etsy. The great thing about etsy is that it is not only an online and indipendant retailer, but the sellers on the site all make their own items. It fits the theme of DIY/Vintage that we were looking for, since etsy sellers not only make their own items, but also can sell items under the vintage title where there are specific guidliens. 

This idea went down great with in the meeting and has been put in the running order of the show. So to follow up on this I began researching in to how esty works, and what makes it a success.

Resarch
Etsy was founded in 2005 by Robert Kalin, Chris Maguire, Haim Schoppik, and later Jared Tarbel. The idea behind the site was inspired by traditional craft fairs, where sellers would display their hand crafted clothes jewellery etc. and sell them at pop up markets in local communities.

The creators wanted to expand on this idea to make a permanent, dedicated, and global space in which sellers from anywhere in the world could show off and trade and profit from their own handmade crafts.

The site features thousands of sellers many of whom have been able to create a steady source of income from the site, or use it as a passion/side project that they can easily manage from their computer, while able to get on with other jobs and commitments. The site features hundreds of categories which users can search and explore without the need for an account. The site started off with traditional crafts such as handmade clothing and jewellery. But in recent years categories have expanded to include, homewares/furniture, gifts, themed shops, and access to custom orders.
The Facts

  • Anyone in the world can sell on Etsy for free!!! People get the chance to create a customised/themed virtual shop front, and can list hundreds of items.
  • All sellers have to do account, and pay a small fee of 20p per item they list.
  • Etsy has global shipping, meaning you can buy and sell from anywhere in the world,
  • At the end of 2014, Etsy had 685 employees, and had 29 million items listed on its website.
  • As of 2016 Etsy generates an annual revenue of 365 million US Dollars.
  • The average income for some of the most successful etsy sellers is estimated to be around 40 thousand dollars a tear. 
  • Its estimated that around 86% of etsy sellers are females aged around 40.

So Why Has Etsy Been So Successful?
  • With sites like Ebay and Amazon, it may be hard to see how Etsy can compete and succeed in the market.
  • The main reason etsy is a success is because it targets a different audience to sites like Ebay. While ebay is a place people go to look for deals, low prices and bid for second hand items. Etsy is a place for the creatives.
  • Etsy is for people who are looking for unique, creative, and genuinely hand-made clothing and items. Since the site is built similarly to arts and crafts fairs, people are less interested in good deals and more focused on the charm and unique factor that comes from hand made items. 
  • Global shipping and selling has certainly played a big part in its success, and since the site automatically converts currency and you can message sellers to ask questions, you can get a clearer idea of the upfront cost rather than having to bid against others. 
  • User friendly site and online marketing (since the site is purley e-commerce it has the advantage of online marketing/advertisement which is more user targeted and widespread than physical stores. The user friendly experience also helps spread positive word of mouth among users and communities).
  • Appeal to specific cultures (etsy has hundreds of categories and tags to search through, and since its a global site, people from anime, hipster, punk rock, and vintage cultures can search for categories and themed shops that have merchandise which appeals to their specific niche interests that they would not be able to find elsewhere). 

Etsy And Vintage


Etsy can also act as a kind of charity shop/re-sale website for vintage items.The site has a dedicated section where people can showcase vintage clothing, jewellery, and other items. The site has a specific set of rules that dictate what is allowed to be sold as “vintage” for example while handmade modifications are allowed, the item in question must be at least 20 years old in order to be considered vintage, or been inspired by something from that era.

This allows shoppers to have a more tailored and simpler shopping experience, since they can search through the category knowing that all items will be gunuin and relevant to the “vintage” brand.

One vintage seller on etsy is…. Mint Conditions
https://www.etsy.com/uk/shop/MintConditions?ref=l2-shopheader-name

Etsy and Custom Fashion

Etsy prides itself on it hand made fashion. In a regular market you would be limited to the sellers and items that were available at the time. But with etsy you can browse fashion from all over the place and often items are made to order. This benefits the shopper (since they can view all the options available rather than just what's in stock, as well as having the clothing tailored to their specific size needs). But it also benefits the creator (since they don’t have to worry about left over stock if things are made to order, they can also lease with clients anywhere in the world at any time via the messaging service, helping them to accurately work out the cost for the material needed and delivery)

A few examples of etsy sellers who specialise in custom clothing (some of whom i've shopped with before) include… Custom Catastrophes

 
Alchemy Inc

Etsy And Pop Culture

Another advantage of etsy is its appeal to people from specific cultures e.g. geeks, punk rockers, hipsters etc.

Being an online market etsy gives a home to shops that specialise in specifically themed shops, often dedicated to a particular culture, or themed items. Examples include Cosplay stores. Conventions and other anime culture events attract thousands of “cosplayers” every year; and for those who aren’t skilled, or have the time to make their own costumes; etsy proves to be a fantastic source for these people to buy costumes from their favourite anime, games or TV shows, that they wouldn't be able to buy elsewhere.

These shops may have once been considered quite niche, but thanks to global shipping and the ability to view items from all over the world, etsy sellers who specialise in hand made crafts like cosplay outfits, are able to generate large profits and global business.

Other shops dedicate themselves to making items inspired by certain cultures or themes. E.g. Rock/metal music inspired jewellery; custom designed converse; printed shirts with designs from pop culture.

Thanks to search filters, tags etc. you are able to find items or shops related to a specific decade or theme (e.g. 80’s shirts, minimalist sofa, film themed phone case etc.) as well as your interests. Or find handmade merchandise from your favourite bands, TV shows/characters etc.

Examples of these themed shops include… Armoured Brownies

Crafts Personalized


Sources